Two beings in a salon. Have they loved each other? Have they already lived together, a dance, a night, the parenthesis of a life? They are here, trying to (re)find each other. Melodies escape from recorded cassettes, from the radio, from a vinyl record. A song faded from their memory echoes; its refrains, broken and swept away by time, reassemble themselves. Through fragments, through faults, the living is reconstituted little by little…
A soap-opera continues to be broadcast, the TV is perhaps left on?
Faced with the trickle of emptiness, what remains of us, of the fire of our loves?
In an attempt to rediscover a dance shared long ago, La fièvre d’un dimanche après-midi probes the failure inherent in human relationships, the fragilities that underlie them and the great catastrophes that build them up.
Choreography: Flora Gaudin and Nicola Vacca
Musical composition: Paul Ramage
Dance: Maria Montero, Violette Angé and Nicola Vacca
Costumes: Sarah Delattre
Set design: André-Noël Gaudin
Lighting: Hugues Girard
Executive production and administration: Arythmie – Virginie Pasquier
Production: compagnie meta (CH/FR), Compagnie Caminante (BE)
Coproduction: Les Brigittines (BE), Pôle Création Chorégraphique de la Fondation Royaumont (FR), Le SPOT (CH), Fuorimargine – Centro di Produzione di Danza e Arti Performative della Sardegna (IT), Residenzzentrum Tanz+ (CH)
With the support of: Canton du Valais (CH), La Loterie Romande (CH), Ernst Göhner (CH), SIS (CH), la ville de Sion (CH), la ville de Gennvilliers (FR), Danse à tous les étages (FR), Le Regard du Cygne (FR), Point Ephémère (FR), Le MARNI (BE), La Coopérative chorégraphiques (FR), le 140 (BE), La pépinière de chorégraphes – Compagnie Fêtes Galantes (FR), Fondation Royaumont’s strategic patron, Fondation Daniel et Nina Carasso