There is no place for the exotic, it is pure representation.
But its emptiness can certainly be a real space, aa container for collecting a catalogue of dances devoid of anyverisimilitude, an evocation of an environment that relies on a singlewild principle: mixing, proximity, the incomprehensible euphoria of a world only imagined.As ethnologists finally reconvert to examining the laststainless tribe still around – the tourist tribe – and theanthropologists take to the bush to deal with television series, thewild thought is forgotten by entertainment but proliferatesundisturbed in the haze, without proclamations of redemption but precisely for thisthis absolutely crucial for the future of mankind.A sonorous, aquatic, tropical, 40-degree-shaded, epidemic future,balsamic, anatomical and humid.
MK’s new production is a kaleidoscope of dances and imagesimmersed in a hybrid sonority, as hot as a furnace; aincessant production of choreographic systems that seem to referto a new folklore, evocative of a world to come, in which the disorder, undisturbed in its desire for ‘rewilding’.
Duration: 55′
With: Biagio Caravano, Sebastiano Geronimo, Luciano Ariel Lanza, Flora Orciari, Laura Scarpini, Francesca Ugolini
Choreography and costumes: Michele Di StefanoModular live system: Biagio CaravanoMusic: The Creatures, My Bloody ValentineLighting: Giulia BroggiVideo: Lorenzo Basili
Management: Carlotta Garlanda with Silvia ParlaniDistribution: Jean François Mathieu
Co-production: mk/KLm, LAC Lugano Arte e Cultura (CH), Triennale Milano,Théâtre du Briançonnais, Bassano OperaEstate
With the support of: Italian Institute of Culture Bucharest (RO)
In collaboration with: USI Academy of Architecture Mendrisio – course
coordinated by arch. Riccardo Blumer – and CNDB National Dance CentreBucharest, with the support of KOMM TANZ/PASSO NORD residency project Compagnia Abbondanza/Bertoni
In collaboration with the Municipality of Rovereto, ORBITA /Spellbound Centro Nazionale di Produzione Danza, ATCL Circuito multidisciplinare del Lazio – Spazio Rossellini
With the contribution MIC