Umbratile. Cantica stems from a strong fascination with Giordano Bruno’s geometric figures and what they represent: the theoretical and linguistic innovation of his thought.
The same geometries suggested the original design, whose lines gradually define a system of language from which the dialogue unfolds, which from the inner form develops into a collective dialogue.

The performance, organised in the dimension of the dance floor, is a participatory device that plays on the extemporaneous orchestration of bodies in an attempt to give form to a space of relationship: an infinite cosmos populated by innumerable worlds, to the pressing rhythm of the DJ set.